Introducing

“If some day our people had to leave Earth to Mars, the essence of Coqlico should go as well.”

COQLICO began with a simple question: what happens when something familiar is allowed to evolve instead of being left behind?

Growing up in Lebanon, I saw that the Finjan was never just a cup. It carried coffee, conversation, hospitality and memory.

I started COQLICO to bring these cultural objects into the present—allowing them to evolve, travel and become part of new stories.

Making our pieces by hand in Lebanon is part of that belief. I want to keep creating, making and building here.

— Georges Antonios, Founder

It is not only a statement piece. It is a conversation starter.

COQLICO I Our story

One Object. One Ritual. A Living Story.

COQLICO is a Lebanese design brand that reimagines Levantine cultural objects for contemporary life.
Founded in Lebanon in 2020, COQLICO began with a question: what happens when a familiar object is allowed to evolve instead of being left behind?
Our answer began with the Finjan Chaffé.
For generations, the Finjan has been part of everyday life across Lebanon and the Levant. It is more than a vessel for coffee. It is an object of hospitality, conversation, memory and ritual. A Finjan can mark the beginning of a visit, the continuation of a conversation, a moment of pause or the simple act of gathering around a table.
We did not want to preserve that story behind glass.
We wanted to bring it forward.

Reimagining the Finjan Chaffé

The first COQLICO object reinterpreted the traditional Finjan Chaffé through a contemporary design language.

The goal was never to copy the past.

It was to understand it.

Its proportions. Its ritual. Its emotional weight. Its place in the hands and homes of generations.

By reimagining the Finjan as a contemporary object, COQLICO created a new way for an old ritual to continue.

The result became the foundation of the brand: an object rooted in Levantine culture, designed for the present and open to new meanings.

Preservation, for us, does not mean keeping culture unchanged. It means allowing it to remain alive.

From One Object to a Living Collection

Today, COQLICO continues to explore the world around the Finjan through functional objects, collectible pieces, artistic collaborations and new interpretations of familiar forms.

Each piece begins with the same belief:

Objects carry stories.

They carry where we come from, how we gather, what we remember and what we choose to pass on.

Our collections are created in dialogue with Lebanon and the wider Levant—not as nostalgia, but as a living source of form, colour, ritual and imagination.

A COQLICO object may sit on a table in Beirut, Paris, London, Dubai, New York or Sydney. Its surroundings may change. The people around it may change. Its use may change.

The story continues

Kel Finjan Elo Ossa

Every Finjan Has a Story.

At the heart of COQLICO is a simple idea: every object becomes part of a life.

A cup can become part of a morning ritual. A bowl can become part of a family table. A gift can travel across borders and carry a piece of home with it.

That is why we see our work as more than product design.

We are interested in the relationship between people and objects.

The memories they create.

The rituals they hold.

The stories that move with them.

Kel Finjan Elo Ossa—every Finjan has a story—is both a belief and an invitation.

To remember where an object came from.

To imagine where it can go next.

Made in Lebanon. Connected to the World.

COQLICO was born in Lebanon and remains deeply connected to its cultural landscape.

Lebanon is not simply the place where the brand was founded. It is part of our visual language, our references, our humour, our contradictions and our way of seeing the world.

Our perspective is local in its roots and international in its conversation.

We believe that Levantine design belongs in contemporary spaces everywhere—not as an exotic reference or a souvenir, but as part of the global language of design.

This is why COQLICO speaks to people who know the Finjan intimately and to people discovering it for the first time.

Both are invited to make the object their own.

The Finjan is not a cup. It is a pause. A conversation. A beginning.
Across the Levant, it has lived on tables, in hands, between silences. It has witnessed departures, reunions, negotiations, grief, and joy. Coqlico® exists to preserve this object. Not as nostalgia, but as a living cultural form.

Art, Culture and Collaboration

COQLICO exists at the intersection of design, art, business and culture.

We collaborate with artists, designers and creative voices because no culture is preserved by one person alone.

Through projects such as Le Salon du Finjan, we create space for new interpretations, conversations and stories around the Finjan and the cultural world it represents.

These collaborations allow the object to move beyond its original function.

A Finjan can become a canvas.

A symbol.

A collectible.

A conversation between generations.

A way for different creative voices to ask what heritage means now.

The COQLICO Philosophy

We do not believe culture survives by standing still.

We believe it survives by being used, questioned, reinterpreted and passed forward.

That philosophy guides not only what we create, but also how and where we create it.

Handmade in Lebanon, by Choice.

COQLICO objects are made by hand in Lebanon.

Today, that choice matters more than ever.

It would be easier—and often cheaper—to send a design overseas, manufacture thousands of identical units and import them back as products.

But for us, that would miss the point.

If our work is rooted in Lebanese and Levantine culture, we believe the act of making should remain connected to the place, people and skills that give that culture its meaning.

Making locally means working with craftspeople, hands and knowledge that exist here. It means keeping part of the creative and economic process in Lebanon. It means creating objects that carry more than a visual reference to their origin.

They are made here.

By people here.

With the imperfections, variations and human presence that come from making something by hand.

In a Time When Making Here Matters.

Lebanon has faced extraordinary challenges. Economic crisis, instability and the continued loss of opportunities have made it increasingly difficult to build and sustain creative businesses locally.

For COQLICO, continuing to make in Lebanon is therefore not simply a production decision.

It is a commitment.

Every object made here supports a wider ecosystem of local work, craftsmanship and creative possibility. It is a small argument for the idea that Lebanon should not only export its people, its memories and its stories.

It should continue to make.

To design.

To create.

To build objects and ideas that can travel into the world.

We do not romanticize difficulty. Making locally can be slower, more complex and more expensive.

We choose it anyway.

Because the alternative—reducing a culturally rooted object to a mass-produced product disconnected from the place that inspired it—would fundamentally change what COQLICO is.

Not Mass Production. A Different Relationship With the Object.

We are not interested in producing the largest possible quantity at the lowest possible cost.

We are interested in making objects with intention.

Objects that take time.

Objects touched by human hands.

Objects with slight variations that remind us they were made, not simply reproduced.

This does not mean rejecting technology, scale or growth.

It means being deliberate about what we scale and what we refuse to lose along the way.

For COQLICO, growth should not require abandoning the people, skills and cultural context that make the work meaningful.

What We Choose to Preserve.

When we choose to make in Lebanon, we are choosing to preserve more than a traditional craft technique.

We are choosing to preserve:

  • local knowledge
  • skilled human work
  • creative independence
  • cultural authorship
  • the connection between an object and its place of origin
  • the possibility of making and building from Lebanon today

A COQLICO object may travel far from Lebanon.

But we want its story to begin here.

The Questions We Continue to Ask

We look at familiar Levantine forms and ask:

What do they mean today?

How can they live in contemporary homes?

What happens when a ritual travels?

What should be preserved—and what should be allowed to change?

And equally:

What does it mean to keep making here?

We do not seek to recreate the past.

We seek to continue the conversation—and keep part of the act of making alive within the place where that conversation began.

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